Get Out, then.
I don't get the hype. There's a couple of freaky moments early doors, the lead gives a great performance as does Catherine Keener as the girlfriend's mother. The rest I'll spoiler as it touches on the social commentary and other things:
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So the social commentary pretty much amounts to middle class people can't handle black people, and ergo they keep them down via transplants and lobotomies. There are other aspects to consider I guess, black people going missins = less fuck from the police etc, but its not deep, its not clever, its not new (bar transferring the keeping them down aspect to horror). That's it. The whole thing goes completely off the rails around halfway through, the 'twists' aren't in the least bit surprising. I mean some of the touches are great, the Jesse Owens bit and such, but I don't know if its a celebration, or a deconstruction of black culture. I don't even think it knows.
If Shyamalan had made this it'd be laughed out the park.